E-Colour + Filters

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Traditional European colours and correction filters, based on the Cinemoid system.

E-Colour + is Rosco's comprehensive system of European color filters for film and video production. E-Colour + includes different filters and materials for color correction, color effects, diffusion and reflection. They're manufactured with the latest dye formulations and bonding technology to assure the highest levels of reliability and performance. E-Colour + filters are available in half sheets of 53 x 61 cm, sheets of 53cm x 1.22m or rolls of 122 cm x 7.62 m

Half sheets are priced at 2.00, sheets at 3.90 and rolls at 53.00 each. There are exceptions to these prices for some diffusion and colour correction filters, etc.

Click on this icon View the Spectral Energy Distribution Curve shown next to each color filter to view its Spectral Energy Distribution curve.


Please note, colour filters are arranged in Numerical order.

Colour Effect Filters
Number and Description
Half Sheet
Full Sheet
Roll
E-Colour+ #002: Rose Pink
Musical pink. Lush accents. Very versatile colour (Transmission = 52.36%).
E-Colour+ #003: Lavender Tint
Touch of colour when white light is not desirable. (Transmission = 74.48%).
E-Colour+ #004: Medium Bastard Amber
(Transmission = 61.05%).
E-Colour+ #007: Pale Yellow
Slightly warm tint for interiors. (Transmission = 88.73%).
E-Colour+ #008: Dark Salmon
(Transmission = 37%).
E-Colour+ #009: Pale Amber
Deep straw. Good for late afternoon sunsets or firelight. (Transmission = 69.9%).
E-Colour+ #010: Medium Yellow
(Transmission = 83.91%).
E-Colour+ #013: Straw Tint
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues. (Transmission = 70.8%).
E-Colour+ #015: Deep Straw
Warm golden amber with some green. Useful for special effects-candlelight, firelight. (Transmission = 61.16%).
E-Colour+ #017: Surprise Peach
(Transmission = 18.55%).
E-Colour+ #019: Fire
Strong red amber. Excellent for fire effects. (Transmission = 17.01%).
E-Colour+ #020: Medium Amber
Afternoon sunlight. Lamplight and candlelight. Tends to depress colour pigment values. (Transmission = 57.61%).
E-Colour+ #021: Gold Amber
Useful for amber cyc light and late sunsets. (Transmission = 37%).
E-Colour+ #022: Dark Amber
Very useful as a backlight. Dramatic specials and firelight. (Transmission = 24%).
E-Colour+ #024: Scarlet
Very deep amber. Red with a touch of blue. (Transmission = 20%).
E-Colour+ #025: Sunrise Red
Very useful as a backlight. Dramatic specials and firelight. (Transmission = 27%).
E-Colour+ #026: Bright Red
(Transmission = 6.81%).
E-Colour+ #027: Medium Red
(Transmission = 3.31%).
E-Colour+ #029: Plasa Red
(Transmission = 6%).
E-Colour+ #035: Light Pink
(Transmission = 66%).
E-Colour+ #036: Medium Pink
Good for general washes and cross lighting. (Transmission = 46%).
E-Colour+ #039: Pink Carnation
A cool pink excellent for washes and general illumination. A good follow spot colour A component of early morning sunrise. (Transmission = 60%).
E-Colour+ #046: Dark Magenta
(Transmission = 6%).
E-Colour+ #052: Light Lavender
Excellent for general area washes. A basic follow spot colour (Transmission = 37.8%).
E-Colour+ #058: Lavender
(Transmission = 9%).
E-Colour+ #061: Mist Blue
Excellent for general area washes. A very light cool tint. (Transmission = 63%).
E-Colour+ #063: Pale Blue
(Transmission = 54.48%).
E-Colour+ #068: Sky Blue
(Transmission = 13%).
E-Colour+ #071: Tokyo Blue
(Transmission = 0.92%).
E-Colour+ #075: Evening Blue
(Transmission = 12.42%).
E-Colour+ #079: Just Blue
(Transmission = 7.55%).
E-Colour+ #085: Deeper Blue
(Transmission = 3%).
E-Colour+ #088: Lime Green
Sunny spring mornings. (Transmission = 69%).
E-Colour+ #089: Moss Green
Useful for mood, mystery or toning. (Transmission = 31.1%).
E-Colour+ #090: Dark Yellow Green
(Transmission = 10.57%).
E-Colour+ #100: Spring Yellow
(Transmission = 71.34%).
E-Colour+ #101: Yellow
A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin. (Transmission = 80%).
E-Colour+ #102: Light Amber
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues. (Transmission = 75%).
E-Colour+ #103: Straw
Warmer straw. Flattering to skin tones. (Transmission = 82%).
E-Colour+ #104: Deep Amber
Sunlight, accents, area lighting with caution to skin tones. (Transmission = 64%).
E-Colour+ #105: Orange
Afternoon sunlight. Lamplight and candlelight. Tends to depress colour pigment values. (Transmission = 41%).
E-Colour+ #106: Primary Red
Vibrant red. Good alternative primary. (Transmission = 9%).
E-Colour+ #107: Light Rose
General wash. Good for follow spots. (Transmission = 48%).
E-Colour+ #108: English Rose
Heavier pink-amber tint. Useful for dance. Especially useful when balanced with a cool colour Good general warm tint in strip-lights. (Transmission = 67.91%).
E-Colour+ #109: Light Salmon
(Transmission = 55%).
E-Colour+ #110: Middle Rose
(Transmission = 47%).
E-Colour+ #111: Dark Pink
(Transmission = 32%).
E-Colour+ #113: Magenta
(Transmission = 11%).
E-Colour+ #115: Peacock Blue
Good for fantasy, moonlight and water effects. (Transmission = 35%).
E-Colour+ #116: Medium Blue Green
Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues, blue-greens and greens. (Transmission = 17%).
E-Colour+ #117: Steel Blue
Useful for very light midday skies. Occasionally used for general cool tint. (Transmission = 55%).
E-Colour+ #118: Light Blue
(Transmission = 22%).
E-Colour+ #119: Dark Blue
Good for non-realistic night skies. (Transmission = 3%).
E-Colour+ #120: Deep Blue
(Transmission = 1%).
E-Colour+ #121: Leaf Green
Good for dense foliage and woodland effects. (Transmission = 64%).
E-Colour+ #122: Fern Green
(Transmission = 51%).
E-Colour+ #124: Dark Green
(Transmission = 30%).
E-Colour+ #126: Mauve
Darkest of the magenta purple range. (Transmission = 4%).
E-Colour+ #127: Smokey Pink
Subdued sunset effect. Useful in backlights. To create seedy atmosphere. (Transmission = 11.95%).
E-Colour+ #128: Bright Pink
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting. (Transmission = 14%).
E-Colour+ #131: Marine Blue
Good to create eerie and mysterious effects. Good for night time water effects. (Transmission = 26.83%).
E-Colour+ #132: Medium Blue
Primary blue. For use with three colour light primary system in cyc lighting. (Transmission = 8%).
E-Colour+ #134: Golden Amber
An amber with some green content. A good sunlight transition colour that shows the progression of the sun from white or yellow to amber later in the day. (Transmission = 38%).
E-Colour+ #135: Deep Golden Amber
(Transmission = 19%).
E-Colour+ #136: Pale Lavender
Touch of colour when white light is not desirable. (Transmission = 43%).
E-Colour+ #137: Special Lavender
(Transmission = 26.42%).
E-Colour+ #138: Pale Green
Sunny spring mornings. (Transmission = 79.87%).
E-Colour+ #139: Primary Green
Alternate primary where higher transmission is desired. (Transmission = 15%).
E-Colour+ #140: Summer Blue
A clean slightly green blue. Good moonlight fill. (Transmission = 34.75%).
E-Colour+ #141: Bright Blue
(Transmission = 19%).
E-Colour+ #142: Pale Violet
A cool lavender which acts as a neutral in a three colour area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows. (Transmission = 20.14%).
E-Colour+ #143: Pale Navy Blue
(Transmission = 16.1%).
E-Colour+ #144: No Colour Blue
(Transmission = 32.4%).
E-Colour+ #147: Apricot
A rosy amber which produces a romantic sunset colour Useful as sidelight or backlight colour (Transmission = 52.9%).
E-Colour+ #148: Bright Rose
(Transmission = 14%).
E-Colour+ #151: Gold Tint
A pale blush amber for skin tones and backlight. (Transmission = 69.4%).
E-Colour+ #152: Pale Gold
A peach amber. (Transmission = 71%).
E-Colour+ #153: Pale Salmon
(Transmission = 64.8%).
E-Colour+ #154: Pale Rose
A clean pale pink; useful as a blush for skin tones. (Transmission = 73.1%).
E-Colour+ #156: Chocolate
(Transmission = 26.3%).
E-Colour+ #157: Pink
(Transmission = 36.4%).
E-Colour+ #158: Deep Orange
Provides a romantic sunlight through windows for evening effects. (Transmission = 30%).
E-Colour+ #159: No Colour Straw
Slightly off white. Good for interiors. (Transmission = 89%).
E-Colour+ #161: Slate Blue
Clean medium blue. Good for sky colour or moonlight. (Transmission = 25%).
E-Colour+ #162: Bastard Amber
Good where a tint of colour is needed. Excellent for natural skin tones. (Transmission = 78%).
E-Colour+ #164: Flame Red
Good for firelight or special effects. Use when red with higher yellow content is needed. (Transmission = 18%).
E-Colour+ #165: Daylight Blue
Excellent sky colour Useful for cyc and border lights. (Transmission = 20%).
E-Colour+ #166: Pale Red
(Transmission = 25%).
E-Colour+ #169: Lilac Tint
(Transmission = 65.4%).
E-Colour+ #170: Deep Lavender
General area washes. (Transmission = 25.6%).
E-Colour+ #172: Lagoon Blue
(Transmission = 16.87%).
E-Colour+ #174: Dark Steel Blue
Useful for beams of realistic moonlight. (Transmission = 30%).
E-Colour+ #176: Loving Amber
Enhances fair skin tones. Suggests strong sunlight. (Transmission = 50.2%).
E-Colour+ #179: Chrome Orange
Warm pinkish amber. Afternoon sunset. Good sidelight. (Transmission = 53.9%).
E-Colour+ #180: Dark Lavender
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds. (Transmission = 6.6%).
E-Colour+ #181: Congo Blue
A purple-blue, highly saturated, for modelling effects and non-realistic atmospheres. (Transmission = 1%).
E-Colour+ #182: Light Red
(Transmission = 11%).
E-Colour+ #183: Moonlight Blue
Used for dramatic moonlight effects. (Transmission = 18.7%).
E-Colour+ #184: Cosmetic Peach
(Transmission = 57%).
E-Colour+ #185: Cosmetic Burgundy
(Transmission = 52%).
E-Colour+ #186: Cosmetic Silver Rose
(Transmission = 51%).
E-Colour+ #187: Cosmetic Rouge
(Transmission = 54%).
E-Colour+ #188: Cosmetic Highlight
(Transmission = 56%).
E-Colour+ #189: Cosmetic Silver Moss
(Transmission = 61%).
E-Colour+ #190: Cosmetic Emerald
(Transmission = 60%).
E-Colour+ #191: Cosmetic Aqua Blue
(Transmission = 53%).
E-Colour+ #192: Flesh Pink
(Transmission = 35%).
E-Colour+ #193: Rosy Amber
(Transmission = 36%).
E-Colour+ #194: Surprise Pink
Excellent backlight. Gives good visibility without destroying night illusions. (Transmission = 22%).
E-Colour+ #195: Zenith Blue
(Transmission = 2.7%).
E-Colour+ #196: True Blue
Useful for achieving depressed moods and dull skies. (Transmission = 26.6%).
E-Colour+ #197: Alice Blue
Very cold brittle feeling. (Transmission = 10%).
E-Colour+ #198: Palace Blue
(Transmission = 2%).
E-Colour+ #322: Soft Green
(Transmission = 37.3%).
E-Colour+ #323: Jade
(Transmission = 31%).
E-Colour+ #325: Mallard Green
(Transmission = 7.07%).
E-Colour+ #327: Forest Green
(Transmission = 4.37%).
E-Colour+ #328: Follies Pink
A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects colour in the Broadway musical. Follow spot and dance applications as a modelling colour (Transmission = 20.41%).
E-Colour+ #332: Special Rose Pink
Extremely intense, hot pink. Produces strong washes of colour for concert and dance. Combined with a complimentary colour like turquoise, will create a dynamic, sculptured effect. (Transmission = 10.6%).
E-Colour+ #341: Plum
(Transmission = 19.31%).
E-Colour+ #343: Special Medium Lavender
Highly saturated, good for side and backlighting and non-realistic effect. (Transmission = 5.86%).
E-Colour+ #344: Violet
(Transmission = 19.85%).
E-Colour+ #345: Fuschia Pink
(Transmission = 14.30%).
E-Colour+ #352: Glacier Blue
(Transmission = 23.31%).
E-Colour+ #353: Lighter Blue
A clean slightly green blue. Good moonlight fill. (Transmission = 40.93%).
E-Colour+ #354: Special Steel Blue
(Transmission = 39.19%).
E-Colour+ #363: Special Medium Blue
(Transmission = 4.17%).
E-Colour+ #366: Cornflower
(Transmission = 18.16%).
E-Colour+ #5017: Light Flame
(Transmission = 56%).
E-Colour+ #5018: Flame
(Transmission = 56%).
E-Colour+ #5041: Salmon
(Transmission = 24%).
E-Colour+ #5042: Deep Salmon
(Transmission = 8%).
E-Colour+ #5047: Light Rose Purple
(Transmission = 16%).
E-Colour+ #5059: Indigo
(Transmission = 2%).
E-Colour+ #5077: Green Blue
(Transmission = 9%).
E-Colour+ #5201: New Schubert Pink
(Transmission = 28%).
E-Colour+ #5202: Max Blue
(Transmission = 55%).
E-Colour+ #5205: Turquoise
(Transmission = 18%).
E-Colour+ #5207: Lyric Blue
(Transmission = 10%).
E-Colour+ #5209: Dewberry
(Transmission = 3%).
E-Colour+ #5318: Mayan Sun
(Transmission = 52%).
E-Colour+ #5321: Soft Golden Amber
(Transmission = 43%).
E-Colour+ #5376: Bermuda Blue
(Transmission = 6%).
E-Colour+ #5378: Twilight Blue
(Transmission = 15%).
E-Colour+ #5423: Barely Blue
(Transmission = 42%).
E-Colour+ #5426: Blueberry
(Transmission = 24%).
E-Colour+ #5429: Lapis Blue
(Transmission = 15%).
E-Colour+ #5431: White Cap
(Transmission = 72%).
E-Colour+ #5433: Surf Blue
(Transmission = 63%).
E-Colour+ #5436: Capri Blue
(Transmission = 50%).
E-Colour+ #5439: Riviera Blue
(Transmission = 39%).
E-Colour+ #5489: Sunset Pink
(Transmission = 38%).
E-Colour+ #5499: Hyacinth
(Transmission = 18%).
Daylight Conversion Filters
E-Colour+ #204: Full C.T. Orange
Daylight to Tungsten 3200K (Transmission = 55.4%).
E-Colour+ #205: Half C.T. Orange
Daylight to Tungsten 3800K (Transmission = 71%).
E-Colour+ #206: Quarter C.T. Orange
Daylight to Tungsten 4600K (Transmission = 79%).
E-Colour+ #207: C.T. Orange +.3 Neutral Density
Daylight to Tungsten 3200K and reduces light one stop. (Transmission = 32.5%).
E-Colour+ #208: C.T. Orange +.6 Neutral Density
Daylight to Tungsten and reduces light 2 stops. (Transmission = 15.6%).
E-Colour+ #223: Eighth C.T. Orange
Daylight to Tungsten 5300K (Transmission = 85.2%).
E-Colour+ #285: 3/4 CTO
Daylight to Tungsten 3500K (Transmission = 61.3%).
E-Colour+ #441: Full CT Straw
Daylight to Tungsten 3200K with a slight yellow bias. (Transmission = 57.3%).
E-Colour+ #442: Half CT Straw
Daylight to Tungsten 3800K with a slight yellow bias. (Transmission = 71.2%).
E-Colour+ #443: Quarter CT Straw
Daylight to Tungsten 4600K with a slight yellow bias. (Transmission = 79.8%).
E-Colour+ #444: Eighth CT Straw
Daylight to Tungsten 5300K with a slight yellow bias. (Transmission = 83.1%).
E-Colour+ #129: Heavy Frost
Diffusion Filters
E-Colour+ #214: Full Tough Spun
A slight diffuser. Softens edge, yet beam shape is maintained.
E-Colour+ #215: Half Tough Spun
Similar characteristics to 214, but less dense.
E-Colour+ #216: White Diffusion
E-Colour+ #217: Blue Diffusion
E-Colour+ #220: White Frost
E-Colour+ #221: Blue Frost
E-Colour+ #224: Daylight Blue Frost
E-Colour+ #225: N.D. Frost
E-Colour+ #228: Brushed Silk
E-Colour+ #229: Quarter Tough Spun
Similar characteristics to 215, but less dense.
E-Colour+ #250: Half White Diffusion
E-Colour+ #251: Quarter White Diffusion
E-Colour+ #252: Eighth White Diffusion
E-Colour+ #253: Hanover Frost
E-Colour+ #256: Half Hanover Frost
E-Colour+ #257: Quarter Hanover Frost
E-Colour+ #416: Three Quarter White Diffusion
E-Colour+ #450: Three Eighths White Diffusion
E-Colour+ #452: One Sixteenth White Diffusion
E-Colour+ #480: Full Atlantic Frost
A moderate frost that creates a soft even effect.
E-Colour+ #481: Half Atlantic Frost
Similar characteristics to 480, but less dense.
E-Colour+ #482: Quarter Atlantic Frost
Similar characteristics to 481, but less dense.
Fluorescent Light Filters
E-Colour+ #219: Fluorescent Green
(Transmission = 32%).
E-Colour+ #241: Fluorescent 5700K
Converts Tungsten to fluorescent light of 5700K (cool-white/daylight) used with camera filter. (Transmission = 27.4%).
E-Colour+ #242: Fluorescent 4300K
Converts Tungsten to fluorescent light of 4300K (white) used with camera filter. (Transmission = 37.3%).
E-Colour+ #243: Fluorescent 3600K
Converts Tungsten to fluorescent light of 3600K (warm white) used with camera filter. (Transmission = 45.7%).
E-Colour+ #244: Plus Green
Adds green when balancing to fluorescent and other discharge sources. Nominally equivalent to CC30 Green. (Transmission = 74.2%).
E-Colour+ #245: Half Plus Green
Adds green when balancing to fluorescent and other discharge sources. Nominally equivalent to CC15 Green. (Transmission = 81.7%).
E-Colour+ #246: Quarter Plus Green
Adds green when balancing to fluorescent and other discharge sources. Nominally equivalent to CC075 Green. (Transmission = 84.6%).
E-Colour+ #247: Minus Green
Reduces green from fluorescents and other discharge sources. Nominally equivalent to CC30 Magenta. (Transmission = 59.1%).
E-Colour+ #248: Half Minus Green
Reduces green from fluorescent and other discharge sources. Nominally equivalent to CC15 Magenta. (Transmission = 72%).
E-Colour+ #249: Quarter Minus Green
Reduces green from fluorescents and other discharge sources. Nominally equivalent to CC075 Magenta. (Transmission = 82.4%).
E-Colour+ #278: Eighth Plus Green
Adds green when balancing fluorescents and other discharge sources. Nominally equivalent to CC035 Green. (Transmission = 87.7%).
E-Colour+ #279: Eighth Minus Green
Reduces green from fluorescents and other discharge sources. Nominally equivalent to CC035 Magenta. (Transmission = 86.5%).
Neutral Density Filters
E-Colour+ #209: .3 Neutral Density
Reduces light 1 stop (Transmission = 51.2%).
E-Colour+ #210: .6 Neutral Density
Reduces light 2 stops (Transmission = 23.5%).
E-Colour+ #211: .9 Neutral Density
Reduces light 3 stops (Transmission = 13.7%).
E-Colour+ #298: .15 Neutral Density
Reduces light 1/2 stop. (Transmission = 69.3%).
E-Colour+ #299: 1.2 Neutral Density
Reduces light 4 stops. (Transmission = 6.6%).
Other Correction Filters
E-Colour+ #130: Clear
(Transmission = 100%).
E-Colour+ #212: L.C.T Yellow
(Transmission = 88.7%).
E-Colour+ #213: White Flame Green
(Transmission = 88.5%).
E-Colour+ #226: U.V. Filter
(Transmission = 91.5%).
E-Colour+ #236: HMI to Tungsten
(Transmission = 58.2%).
Reflection Materials
E-Colour+ #270: Scrim
E-Colour+ #271: Mirror Silver
E-Colour+ #272: Soft Gold Reflector
E-Colour+ #273: Soft Silver Reflector
Tungsten Conversion Filters
E-Colour+ #200: Double C.T. Blue
Tungsten to Daylight 2800K to 10,000K (Transmission = 16.2%).
E-Colour+ #201: Full C.T. Blue
Tungsten to Daylight 3200K to 5700K (Transmission = 34%).
E-Colour+ #202: Half C.T. Blue
Tungsten to Daylight 3200K to 4300K (Transmission = 55%).
E-Colour+ #203: Quarter C.T. Blue
Tungsten to Daylight 3200K to 3600K (Transmission = 69.2%).
E-Colour+ #218: Eighth C.T. Blue
Tungsten to Daylight. 3200K to 3400K (Transmission = 81.3%).
E-Colour+ #281: 3/4 CTB
Tungsten to Daylight 3200K to 5000K (Transmission = 45.5%).