Supergel Filters

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Rosco's premium filter range was introduced in Europe in 1976. The original high temperature filter, Supergel's unique engineering gives it unsurpassed colour durability and heat resistance.

Supergel is supplied either as sheets: 50 x 61 cm, or rolls: 61 cm x 7.62 m.

The Supergel range contains 129 colours and 16 diffusion filters. Selected by designers for its superior range of colour, Supergel is made from body colored, extruded polycarbonate - a unique, engineered colour filter providing the longest lasting colour available. It offers incredible durability and meets the most stringent international guidelines for fire retardance, including the B1 and M1 standards.

How to Read an SED curve
The spectral energy distribution curve of each filter describes the wavelengths of colour transmitted throug the individual filters. For example, Supergel #312 transmits approximately 80% of the red and green energy above 500nm in the spectrum but only a small amount of deep blue/indigo. The result is a strong, clean yellow colour with just enough blue to prevent it from becoming an acid yellow like Supergel 10. The Transmission Percentage refers to overall light transmission that is allowed to pass through each individual filter, based on a Tungsten light source, Illuminant A.

Durability
The life of colour filters depends on many variables: the colour, the instrument and lamp used, the dimmer level, and the amount of time the light is running. For these reasons it is impossible to assign a "life" for each filter. Dark green and dark blue filters usually burn out fastest, because they absorb the most infrared energy. When darker, more saturated colours are needed try to select a colour that transmits high amounts of energy above the 700 nm range. You can find this information by looking at the Spectral Energy Distribution (S.E.D.) curve, by clicking on the graph next to each colour below. 700 nm may also transmit high levels in the infrared range above 700 nm.

To prolong the life of a colour filter, align your ellipsoidal lamp to a flat field focus, in order to eliminate the hot spot. Increasing the distance between the lamp and the filter by using a top hat or barn door will also reduce the heat on the filter, extending it's life. In more critical situations, use Rosco Heat Shield or Thermashield to prolong the life of your colour filters.

Never use a plastic filter directly in front of an open faced lamp. Always allow a suitable air gap between the exposed lamp and the filter, 2-3 (50-75mm) inches is recommended.

Sheets are priced at 4.00 and rolls at 50.00 each

Click on this icon View the Spectral Energy Distribution Curve shown next to each color filter to view its Spectral Energy Distribution curve.


Please note, colour filters are arranged in Swatchbook order.

Colour Effect Filters
Number and Description
Half Sheet
Full Sheet
Roll
Supergel #00: Clear
A durable, heat resistant polycarbonate film used in the preparation of colour scrollers to allow the passage from a colour to clear. (Transmission = 100%).
Supergel #01: Light Bastard Amber
Enhances fair skin tones. Suggests strong sunlight. (Transmission = 56%).
Supergel #02: Bastard Amber
Good where a tint of colour is needed. Excellent for natural skin tones. (Transmission = 78%).
Supergel #03: Dark Bastard Amber
Most saturated Bastard Amber. (Transmission = 62%).
Supergel #303: Warm Peach
Heavier Amber-pink tint. Useful to create warm sunlight. (Transmission = 55%).
Supergel #04: Medium Bastard Amber
Especially useful when cross lit with a cool colour. Excellent for natural sunlight. (Transmission = 66%)
Supergel #304: Pale Apricot
. (Transmission = 79%)
Supergel #05: Rose Tint
A clean pale pink; useful as a blush for skin tones. (Transmission = 80%)
Supergel #305: Rose Gold
(Transmission = 75%)
Supergel #06: No Colour Straw
Slightly off white. Good for interiors. (Transmission = 92%)
Supergel #07: Pale Yellow
Double saturation of 06. (Transmission = 96%)
Supergel #09: Pale Amber Gold
Deep straw. Good for late afternoon sunsets or firelight. (Transmission = 74%)
Supergel #10: Medium Yellow
Yellow with green. Good for special effects. Unflattering in acting areas. (Transmission = 92%)
Supergel #11: Light Straw
Pale yellow with slight red content. Useful for candle effects. Can be used for area lighting. For bright day feeling. (Transmission = 82%)
Supergel #312: Canary
(Transmission = 85%)
Supergel #13: Straw Tint
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues. (Transmission = 78%)
Supergel #313: Light Relief Yellow
Vibrant Yellow. More red than 312. Less green than all other yellows. (Transmission = 77%)
Supergel #14: Medium Straw
Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones. (Transmission = 68%)
Supergel #15: Deep Straw
Warm golden amber with some green. Useful for special effects-candlelight, firelight. (Transmission = 65%)
Supergel #317: Apricot
(Transmission = 51%)
Supergel #318: Mayan Sun
(Transmission = 52%)
Supergel #19: Fire
Strong red amber. Excellent for fire effects. (Transmission = 20%)
Supergel #20: Medium Amber
Afternoon sunlight. Lamplight and candlelight. Tends to depress colour pigment values. (Transmission = 54%)
Supergel #21: Golden Amber
Useful for amber cyc light and late sunsets. (Transmission = 43%)
Supergel #22: Deep Amber
Very useful as a backlight. Dramatic specials and firelight. (Transmission = 26%)
Supergel #23: Orange
Provides a romantic sunlight through windows for evening effects. (Transmission = 32%)
Supergel #24: Scarlet
Very deep amber. Red with a touch of blue. (Transmission = 22%)
Supergel #324: Gypsy Red
Vibrant orange-red. Helps red and orange scenery pop. (Transmission = 31%)
Supergel #25: Orange Red
Good for firelight or special effects. Use when red with higher yellow content is needed. (Transmission = 14%)
Supergel #26: Light Red
Vibrant red. Good alternative primary. (Transmission = 12%)
Supergel #27: Medium Red
Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights. (Transmission = 4%)
Supergel #30: Light Salmon Pink
Excellent for general area washes. Gives overall warming effect to skin tones. (Transmission = 44%)
Supergel #31: Salmon Pink
General wash. Good for follow spots. (Transmission = 46%)
Supergel #331: Shell Pink
Warmer and lighter than 31. Good for fair skin tones and to emphasize romance. (Transmission = 68%)
Supergel #32: Medium Salmon Pink
Deepest of the salmon pinks. (Transmission = 28%)
Supergel #332: Cherry Rose
A tropical pink that is good for musicals or concert lighting. A good backlight colour. Interesting accent colour. Good for a splash of sunset colour. (Transmission = 38%)
Supergel #33: No Colour Pink
A pale almost colourless pink. (Transmission = 65%)
Supergel #35: Light Pink
Similar to 33, but slightly deeper. (Transmission = 66%)
Supergel #36: Medium Pink
Good for general washes and cross lighting. (Transmission = 46%)
Supergel #336: Billington Pink
(Transmission = 48%)
Supergel #337: True Pink
A cool pink excellent for washes and general illumination. A good follow spot colour. A component of early morning sunrise. (Transmission = 55%)
Supergel #38: Light Rose
Similar uses as 37, but with greater saturation. (Transmission = 49%)
Supergel #39: Skelton Exotic Sangria
A sultry, deep purple. Good for musicals or concert lighting. Excellent special effects colour. (Transmission = 10%)
Supergel #339: Broadway Pink
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting. (Transmission = 15%)
Supergel #40: Light Salmon
Similar uses to 23 but a bluer colour. (Transmission = 34%)
Supergel #342: Rose Pink
Extremely intense, hot pink. Produces strong washes of colour for concert and dance. Combined with a complimentary colour like turquoise, will create a dynamic, sculptured effect. (Transmission = 16%)
Supergel #43: Deep Pink
Rich, hot pink. Electric in effect with rich saturation. (Transmission = 28%)
Supergel #343: Neon Pink
A bright, dark pink excellent for musicals or rock and roll concert lighting. A good colour for creating fake neon effects with fluorescent tubes. (Transmission = 33%)
Supergel #344: Follies Pink
A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects colour in the Broadway musical. Follow spot and dance applications as a modeling colour. (Transmission = 21%)
Supergel #45: Rose
Use on scenery and background effects. Adds tone and modeling to scenery. (Transmission = 8%)
Supergel #46: Magenta
Similar uses as 45 where more saturation is needed. (Transmission = 6%)
Supergel #346: Tropical Magenta
(Transmission = 22%)
Supergel #47: Light Rose Purple
Good for eerie or dramatic effects. Beautiful backlight colour. (Transmission = 16%)
Supergel #347: Belladonna Rose
Powerful magenta-purple. Good effects filter for dance. (Transmission = 6%)
Supergel #48: Rose Purple
Pale evening colour. Excellent for backlight. (Transmission = 16%)
Supergel #348: Purple Jazz
A dusky purple. Good for simulating purple neon or old night club atmosphere. (Transmission = 14%)
Supergel #49: Medium Purple
Darkest of the magenta purple range. (Transmission = 4%)
Supergel #349: Fisher Fuchsia
A medium fuchsia good for special effects. An interesting backlight or accent colour. (Transmission = 11%)
Supergel #50: Mauve
(Transmission = 14%)
Supergel #351: Lavender Mist
(Transmission = 61%)
Supergel #52: Light Lavender
Excellent for general area or border light washes. It is a basic followspot colour. (Transmission = 26%)
Supergel #53: Pale Lavender
Use when a touch of colour is needed. (Transmission = 64%)
Supergel #353: Lilly Lavender
Same intensity as 55 with more red content. (Transmission = 29%)
Supergel #54: Special Lavender
Same as 53, but warmer. Useful for beams of realistic moonlight. (Transmission = 50%)
Supergel #55: Lilac
Same as 53, but cooler. (Transmission = 37%)
Supergel #355: Pale Violet
A cool lavender which acts as a neutral in a three colour area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows. (Transmission = 20%)
Supergel #56: Gypsy Lavender
Highly saturated, good for side and backlighting and non-realistic effect. (Transmission = 4%)
Supergel #356: Middle Lavender
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting. (Transmission = 27%)
Supergel #57: Lavender
Excellent backlight. Gives good visibility without destroying night illusions. (Transmission = 24%)
Supergel #357: Royal Lavender
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nighttime scenes. Rich, vivid accents, good in backgrounds. (Transmission = 5%)
Supergel #58: Deep Lavender
Excellent back light. Enhances dimensionality. (Transmission = 10%)
Supergel #358: Rose Indigo
A warm, red purple that recalls the Jazz Age. Useful for creating saturated colour effects in live performance situations-club and musical group lighting. (Transmission = 5%)
Supergel #59: Indigo
The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres. (Transmission = 2%)
Supergel #359: Medium Violet
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash. (Transmission = 9%)
Supergel #61: Mist Blue
Excellent for general area washes. Very light cool tint of blue (Transmission = 66%)
Supergel #361: Hemsley Blue
A sharp cold blue that stays clean when dimmed. (Transmission = 18%)
Supergel #62: Booster Blue
Helps maintain white light when dimmer is at low intensity. (Transmission = 54%)
Supergel #63: Pale Blue
Good for creating an overcast look and feeling. (Transmission = 56%)
Supergel #363: Aquamarine
A pale blue-green colour. Can be used for area lighting. A soft backlight colour. (Transmission = 52%)
Supergel #64: Light Steel Blue
Useful for beams of realistic moonlight. (Transmission = 26%)
Supergel #65: Daylight Blue
Useful for achieving depressed moods and dull skies. (Transmission = 35%)
Supergel #66: Cool Blue
A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage. (Transmission = 67%)
Supergel #366: Jordan Blue
More green than 65. A crisp light blue-green. (Transmission = 32%)
Supergel #67: Light Sky Blue
Excellent sky colour. Useful for cyc and border lights. (Transmission = 26%)
Supergel #367: Slate Blue
Clean medium blue. Good for sky colour or moonlight. (Transmission = 20%)
Supergel #68: Parry Sky Blue
Excellent for early morning sky tones. Popular among designers for cyc and borders. (Transmission = 14%)
Supergel #368: Winkler Blue
A silvery blue, used for front light and moonlight. (Transmission = 16%)
Supergel #69: Brilliant Blue
Used for dramatic moonlight effects. (Transmission = 18%)
Supergel #369: Tahitian Blue
Slightly more green than 69. (Transmission = 22%)
Supergel #70: Nile Blue
Useful for very light midday skies. Occasionally used for general cool tint. (Transmission = 45%)
Supergel #370: Italian Blue
Good to create eerie and mysterious effects. Good for night time water effects. (Transmission = 31%)
Supergel #71: Sea Blue
Occasionally used for general cool tint and non-realistic washes. (Transmission = 30%)
Supergel #371: Theatre Booster 1
(Transmission = 35%)
Supergel #72: Azure Blue
A clean slightly green blue. Good moonlight fill. (Transmission = 44%)
Supergel #372: Theatre Booster 2
(Transmission = 55%)
Supergel #73: Peacock Blue
Good for fantasy, moonlight and water effects. (Transmission = 28%)
Supergel #373: Theatre Booster 3
(Transmission = 72%)
Supergel #74: Night Blue
Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light. (Transmission = 4%)
Supergel #374: Sea Green
For enhancing water scenes or deep sea environments. Greener than 73. (Transmission = 26%)
Supergel #75: Twilight Blue
Less green & crisper than 76. (Transmission = 11%)
Supergel #76: Light Green Blue
Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%)
Supergel #377: Iris Purple
Medium neutral lavender. Good wash light. (Transmission = 11%)
Supergel #78: Trudy Blue
A rich clean red blue that warms to lavender when dimmed. (Transmission = 19%)
Supergel #79: Bright Blue
Cool clear bright blue. (Transmission = 8%)
Supergel #80: Primary Blue
Primary blue. For use with three colour light primary system in cyc lighting. (Transmission = 9%)
Supergel #81: Urban Blue
Very cold brittle feeling. (Transmission = 10%)
Supergel #82: Surprise Blue
Deep rich blue with slight amount of red. (Transmission = 6%)
Supergel #382: Congo Blue
Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight colour. A great colour for rock and roll concert lighting. (Transmission = 56%)
Supergel #83: Medium Blue
Good for non-realistic night skies. (Transmission = 4%)
Supergel #383: Sapphire Blue
A deep romantic blue on the red side. (Transmission = 4%)
Supergel #84: Zephyr Blue
A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows. (Transmission = 14%)
Supergel #384: Midnight Blue
An intense red-blue. Deeper than 83 with a little more red. (Transmission = 2%)
Supergel #85: Deep Blue
Deeply saturated blue with a hint of red. (Transmission = 3%)
Supergel #385: Royal Blue
Excellent for non-realistic backgrounds. A very saturated blue. Pronounced red content that will shift toward purple when dimmed. Low transmission but will offer a striking contrast when used as a background with lighter accents. (Transmission = 4%)
Supergel #86: Pea Green
Good for dense foliage and woodland effects. (Transmission = 56%)
Supergel #386: Leaf Green
(Transmission = 32%)
Supergel #388: Gaslight Green
A yellow-green similar to the colour emitted by gas lighting fixtures. Appropriate for period pieces: i.e. La Boheme, and useful for creating reflections from fields and meadows. (Transmission = 76%)
Supergel #89: Moss Green
Useful for mood, mystery and toning. (Transmission = 45%)
Supergel #389: Chroma Green
Suggests reflected light from dense foliage. A brilliant cyc lighting colour which will work for chroma-keying effects in television production. (Transmission = 40%)
Supergel #90: Dark Yellow Green
Alternate primary where higher transmission is desired. (Transmission = 13%)
Supergel #91: Primary Green
Primary green for three colour primary system. (Transmission = 7%)
Supergel #392: Pacific Green
Cyc Wash. Good Costume colour. Magical on skin. (Transmission = 20%)
Supergel #93: Blue Green
Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 35%)
Supergel #393: Emerald Green
An exaggerated green. Nearly double intensity as 93, less blue than 95. (Transmission = 14%)
Supergel #94: Kelly Green
Fantasy and unrealistic effects. Unflattering on skin tones. (Transmission = 25%)
Supergel #95: Medium Blue Green
Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues, blue-greens and greens. (Transmission = 15%)
Supergel #395: Teal Green
A medium green-blue which can be used as a mystical special effect colour. Also an interesting side or backlight colour in concert lighting. (Transmission = 13%)
Supergel #96: Lime
To simulate unnatural sunlight before and after a rainstorm or tornado. (Transmission = 98%)
Supergel #398: Neutral Grey
(Transmission = 40%)
Diffusion Materials
Supergel #100: Frost
Frost. Changes ellipsoidal to fresnel beam pattern.
Supergel #101: Light Frost
Offers softened beam.
Supergel #104: Tough Silk
Creates a slash of light for stretching light along stairs, tables, cycs, etc. Diffuses while maintaining compactness of beam.
Supergel #113: Matte Silk
Good for striplights and specials.
Supergel #114: Hamburg Frost
A very light frost; good in followspots and PAR lamps.
Supergel #119: Light Hamburg Frost
Lighter than 114. Recommended for followspots and slight diffuse focus for ellipsoldals.
Supergel #132: Quarter Hamburg Frost
Supergel #120: Red Diffusion
Combine a colour with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = 12%)
Supergel #121: Blue Diffusion
Combine a colour with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = 8%)
Supergel #122: Green Diffusion
Combine a colour with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = 13%)
Supergel #124: Red Cyc Silk
Combine a colour with 104 Tough Silk. (Transmission = 12%)
Supergel #125: Blue Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops. (Transmission = 8%)
Supergel #126: Green Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops. (Transmission = 13%)
Supergel #127: Amber Cyc Silk
A secondary colour combined with 104 Tough Silk. (Transmission = 32%)
Supergel #140: Subtle Hamburg Frost
Supergel #160: Light Tough Silk
Retains the diffusion properties of 104 but with less light loss. (Transmission = 100%)